2014 UK-to-US Co-Word of the Year: gap year

Finally, the last of my Words of the Year. I declared two US-to-UK words this year because both (awesome and bake-off) seemed very much 'of 2014'. In the case of the UK-to-US words, I also gave up on deciding between two excellent nominations, though the case for '2014ness' is not quite as strong. We've been seeing a lot more Britishisms in the US for some years now.  The other UK-to-US Word of the Year (dodgy) and today's have been nominated before. (I'm grateful to Nancy Friedman for making both these apt and informative nominations.) They are worming their way in rather than making a big splash. But in both cases it seems to be time to acknowledge them. So the UK-to-US Noun of the Year is:

gap year

That is, a year off from education between school and (AmE) college/(BrE) university. (If your first reaction is 'but that's not a word!', please go straight to the bottom of this post for a linguistic schooling.)


Why is this worthy of the title UK-to-US Word of the Year? Well, first of all, it passes the 'UK-to' criterion by being very British in origin. Here's the OED's record of it:
Secondly, it's definitely made its way into the US. From Nancy Friedman's nomination of it:

Ben Yagoda wrote about it in his Britishisms blog in November 2012 (http://britishisms.wordpress.com/2012/11/01/gap-year), but 2014 was the year it went mainstream in the pages of Time (May 14) and USA Today (Oct. 28). The American Gap Association ("Integrity in Gap Years") was founded in 2012.
The trajectory of gap year in UK (red) and US (blue) books from Google Ngrams shows its progress up to 2012:



Americans started to notice the word around the times that Princes William (2000) and Harry (2004) took their gap years, but it was the financial crisis that really helped it along. In lean times it makes more sense for young people to spend time out of education before the very expensive undertaking of higher education. By taking a year off, they can work to save money to finance their studies or just use the time to make sure that they really want to go to college/university. And that's what's been happening more and more in the US. Wikipedia says:
Some 40,000 Americans participated in 2013 in sabbatical programmes, an increase of almost 20% since 2006, according to statistics compiled by the American Gap Association 
As someone who teaches in higher education, I'm all for it. The students who come to us after some time off from education are generally more mature and ready for serious study. They also have more varied experiences to reflect on when taking part in classroom discussions (which is very relevant to me when I teach Intercultural Communication).

Perhaps this should have been a Word of the Year in 2012 (instead of bollocks), since that's when it really seemed to be institutionali{s/z}ed in the US. But Nancy's evidence of how 'mainstream' it's gone in the US is enough to convince me that it needs to be ceremoniously marked as a successful UK-to-US import. So, all hail gap year, my final Word of the Year for 2014. My thanks to all who got involved in the nominations.


***
Again, some may protest that this is not a possible word of the year, because it is more than one word. And to this I say, as I have said before, that a space in a string of letters is not what makes expressions into words. Language is a spoken thing prior to being a written thing, so the evidence of writing is not the strongest type of evidence when it comes to language. Gap year fits linguistic criteria for being a word (an open compound) because:
  1. It has a single part-of-speech (noun).
  2. It has a meaning that is more than the sum of its parts. (In linguist lingo, it's non-compositional.) Thus, it's the kind of thing that dictionaries record.
  3. It is indivisible. You can have an enjoyable gap year but you can't have a gap enjoyable year. You can have several gap years but not several gaps year or gaps years. You could talk about how you feel pre-gap year or post-gap year, but not gap pre-year. Nothing (with the exception of profanity, English's only infixes) can go in that space between gap and year.
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2014 US-to-UK Co-Word of the Year: 'bake-off'

As we've already established, this was an indecisive year for me, and I've already announced two Words of the Year, both adjectives:  US-to-UK awesome and UK-to-US dodgy. Of course, many words go back and forth between the two countries each year, and these have been building up usage in their non-native lands for years, but they felt 'of 2014' for various reasons discussed in their posts.

Another word with American origins was bigger than ever in the UK in 2014, and a UK-to-US noun had a very good case made for it for timeliness. So to the adjectives we add the Nouns of the Year. First off, the US to UK:

bake(-)off

As in the BBC's:




Before you say "but that's two words", I refer you to the hyphen above.  On every linguistic test, it is one word, a noun. But the British establishment has a higher tolerance than Americans do for what we in the word business call 'open compounds' (as alluded to in this old post).

As Nancy Friedman wrote, when she nominated the word:

The term has been common in the US since at least 1949, when Pillsbury introduced its national Bake-Off contest; it was later adopted [...] as programmer lingo to mean a contest between competing technologies.
She also noted that Collins dictionaries short-listed it as one of their Words of the Year.  Here's what it looks like in the OED (note the hyphen!):

The cook-off to which the entry refers is an earlier Americanism (dating to 1936), and that entry refers to play-off as another American inspiration for nouns ending in off. Play-off derived from the phrasal verb play off (as in They played off for the championship), but bake-off and cook-off look like they were formed as nouns first, on ([BrE] an) analogy with the noun play-off.

But (I hear you muttering) the Great British Bake Off had its fifth television (AmE) season/(BrE) series in 2014, so why make it a Word of the Year now? I'll quote Wikipedia on its ratings:

The series started with its highest ratings for its opening episode after its move to BBC One, with over 7 million tuning in according to overnight figures.[40] This is adjusted to 8.5 million for its 7-day final viewing figure, making this its second most-watched episode after previous year's final.[41] In the fourth episode, 8.1 million watched the original broadcast,[42] but the "sabotage" controversy gained the show a further 2 million viewers on the BBC iPlayer catch-up service, giving the show the biggest ever audience with 10.248 million viewers for the episode.[43][44] The final of the show gained an overnight viewing figure of 12.29 million, then the highest viewing figure for a non-sporting event of the year on UK TV.[45] Series 5 had a consolidated average of 10,039,400 viewers.
The controversy mentioned above was also known as "bingate" (mixing the BrE bin with the orig. AmE -gate suffix) involved a contestant getting fed up with his Baked Alaska and throwing it away, then showing the judges the (BrE) rubbish bin when asked to display his work. It was alleged that another contestant had moved his ice cream from the freezer to make room for her own.

It was all over the papers. I liked this review of the phenomenon from Stuart Heritage in the Guardian:
Pity the historians of the future. They’re the ones who will have to put the hysteria surrounding last week’s episode of The Great British Bake Off into some kind of context. And that’ll be much harder than it sounds, because the main trajectory of the news this summer has basically been: horror, horror, misery, horror, misery, man putting a pudding in a bin, misery.

“Why did everyone lose their minds about a man putting a pudding in a bin?” they’ll wonder. “Why, with everything else going on in the world, did that make the Sun’s front page? Why did the Guardian devote 11 separate news stories to it? It was just a man putting a pudding in a bin”. Finally, exasperated at their ridiculous ancestors and exhausted from trying to figure out what the hell a “bincident” is, they’ll give up, cut their losses and simply torch the archives. It’ll be the Library of Alexandria all over again.
The irony of the Americanism in a "Great British" institution is not something that's regularly pointed out, but it's becoming a great British tradition too: note the Americanism in BBC's The Great British Sewing Bee.

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2014 UK-to-US (co-)Word of the Year: dodgy

So the other day, when I decided to avoid difficult questions and not decide between my top two US-to-UK words of the year, I laid the groundwork for general indecisiveness. So, I might as well not be decisive about the UK-to-US words either. It works out well (I re(-)assure myself) because in the end I will have a Noun of the Year and an Adjective of the Year in both directions. (Orig AmE) Tough luck, verbs.

And the UK-to-US Adjective of the Year is:

dodgy

...which was nominated by Gina the Great, Anonymous in New Jersey, and Peter Mork (in a previous year). It is timely because this is the year that Ben Yagoda at Not One-Off Britishisms declared that "Dodgy is ensconced" in response to this headline in the Wall Street Journal:

When asked which British words I now can't live without, I usually mention dodgy. What did I say before? It's got such a feeling to it, and has to be translated by different words for different contexts in AmE. Take, for example, these British collocates (i.e. words that go next to it) for dodgy:

 dodgy knee, dodgy memory, dodgy ticker:  unreliable because falling apart
dodgy internet connection, dodgy CGI: unreliable, not very good--probably because it's done on the cheap
dodgy statisticsdodgy accounting, dodgy refereeing: questionable; unreliable and possibly dishonest
dodgy business practices, dodgy characters, dodgy suburb: disreputable and probably dangerous/criminal
dodgy photos: either poorly taken or picturing dodgy activities
...and so on.
So, my question is: Is dodgy  used in the same way in AmE as in BrE?  One way to check on this is to look in the Corpus of Global Web-Based English (GloWBE). GloWBE collects about 387 million words from each of these dialects, and the basic numbers show that the word is still definitely BrE and only marginally AmE: 491 AmE examples to 3970 BrE ones.

You can ask GloWBE which collocates of dodgy are most typical of AmE and BrE--that is, not just which ones occur most in each, but which ones are statistically over- or under-represented in each. This bit of statistics is a bit dodgy, since the number of AmE dodgys is so small. But let's do it anyhow. We get a table like this, with AmE on the left:


The darker green indicates collocates that are very particular to that dialect. So, in the right column, we can see that BrE has lots and lots of nouns that go with dodgy a lot that are not much found in AmE. In the left column, we see that dodgy energy, dodgy theology, and dodgy scientists are found more in AmE than in BrE. However, that looks fairly suspicious, and sure enough the AmE dodgy energy examples are just repetitions of the same text (a problem for internet corpora is that a lot of internet content is mirrored or quoted on different sites), the AmE dodgy theologies are really two rather than three different examples, etc. The pink/red ones are over-represented in British compared to American.

The white ones are comparable in the two dialects--and bloke is a funny one here. Not only is it a BrE word, it's a BrE word (like bloody) that Americans probably overuse when 'doing' British English. I'd say this tells us that dodgy is generally perceived as British in AmE. And it's the number one collocate for dodgy in AmE. (The numbers here are slightly different from the above since I searched for nouns within one word above and within two words below.)


There are a lot of businessy collocates throughout the AmE list. There are in the BrE list too--after all, we're getting a lot of news stories here and there's been a lot of dodginess in that realm in the past few years. But there aren't many body parts on the American list. At number 58 on the list there are two instances of dodgy stomach, whereas on the BrE list, numbers 11 and 12 are knee and knees. The vaguely-criminal/dishonest meaning of dodgy seems to be coming through stronger in AmE than the 'unreliable/poorly constructed' sense.

This may be underscored by a US example from a novel by a Texan author (found via the Corpus of Contemporary American English), which wouldn't mean in BrE what it seems to be meaning here:

They'd need dodgy breaking-and-entering skills to get the journal (having somehow first discovered its existence), an impressive knack for wordplay, and access to Mission Impossiblestyle office products to obliterate all superfluous words into mind-blowing nonexistence.
What seems to be intended by the author is '(slightly?) criminal breaking-and-entering skills'. But say dodgy breaking-and-entering skills in BrE and it sounds like it means 'not-very-good breaking-and-entering skills'. BrE just wouldn't use dodgy to mean 'criminal' before something that is actually criminal.

And so it goes when words are imported. You can call them 'misunderstood' or you can call them 'subject to semantic change'.

Next up in the Words of the Year...nouns!
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2014 US-to-UK (co-)Word of the Year: awesome

Thanks to all who have nominated US-to-UK and UK-to-US words for the annual Words of the Year (AmE) fest. The decisions were difficult, and so I am going to cheat and have two US-to-UK words. I can do that, because I'm the (orig. AmE) boss. And the first one is:

awesome


And in a coincidence that you probably won't believe (it's true!) my BrE-speaking child has just looked up from her (arguably orig. AmE) video game to say "That was awesome. I cooked an egg!"

Of course, awesome is not a new word in any English. It's been used to mean either 'full of awe' or 'inspiring awe' for centuries. But its use as enthusiastic praise of any little (or big) thing is originally American; the earliest [alleged] example of it in the OED is from 1961 in the now-defunct women's magazine McCall's:
He looked up to see Mrs. Kirby, awesome in a black-and-yellow polka-dotted slicker, bearing down on him.
This use of awesome really came into its own (in the US) in the 1980s. As Robert Lane Greene reminisces:

...change was happening to “awesome”. It was defined in 1980 in the “Official Preppy Handbook”, a bestselling semi-satirical look at well-heeled American youth: “Awesome: terrific, great.” It had a bit of California surfer-dude and Valley Girl, too. By 1982, the Guardian was mocking the West Coast with “It’s so awesome, I mean, fer shurr, toadly, toe-dully!”

Soon the word needed no definition. “Awesome” became the default descriptor for anything good. In 1982, I was seven and I swallowed it whole. It stayed with me for decades. In 2005, I remember meeting a girl when I had just seen “Batman Begins”, the moody psychological picture that reinvigorated a tired franchise. “It’s awesome,” I told her. “Awesome. Just awesome.” She wondered, she later said, what kind of journalist had just one adjective in his vocabulary. Somehow, she married me all the same.
“Awesome” has been with my generation in America so long that it now has a whiff of retro.
And it's been in BrE for a while now too. My colleague Justyna Robinson studies the sociolinguistics of word-meaning variation and change, and awesome is one she's followed in British English. This means that she gets to write things with titles like "Awesome insights into semantic variation". (I am jealous.) In that 2011 book chapter, she reports on a study in which she asked Yorkshire residents of different ages and backgrounds to name something awesome and to tell her why it was awesome. Older respondents said things like "The Grand Canyon. Because it takes your breath away." The under-30s said things like "a salad, because it was really good".
Robinson (2011; see Awesome title link above)



But it's not just teenagers using it. Robert Lane Greene reports that "The Guardian, the paper that mocked “awesome” in 1982, had used it in 6,457 articles by July 2011, with one or two being added each day"(see link above).

So, why make it Co-Word of the Year for 2014? One reason is that it was all over the news when the first findings of the Spoken British National Corpus 2014 came out. Here's a selection in which this particular word made the headline.

In the Guardian:
There are several (press-release-inspired?) with this title (this one from phys.org):

And more:

And more:


The Daily Mail headline alludes to the other reason this is a Word of 2014. The Lego Movie and its theme song 'Everything is Awesome'.



Before 2014, I heard British teenagers saying awesome. I heard my English child saying it only when she had just been visiting her American cousins. But now, it's the (AmE) go-to positive evaluation word for the under-10s too. This is part of the landscape of their language now--not an Americanism that they've ironically decided to adopt, but just how they talk. The makers of The Lego Movie were surely cognizant of the word's "retro" feeling when choosing it for their theme, making a bit of an in-joke for the US parents who used it (and Lego(s)) when they were young. But the irony is lost on young British children. It's just a (orig. AmE in this sense) cool word for them.

Its WOTY status was sealed for me when I overhead this conversation between mother and pre-school son about how he should be playing with his baby sister:

Mother: Reuben, Isabella is much smaller than you. When you play with her, you have to be extra....
[Reuben ignores her]
Mother: When you play with her you have to be extra.....
[Reuben ignores her some more]
Mother: You have to be extra...
Reuben: Awesome!


The other US-to-UK and the UK-to-US WotYs will be revealed in the next few days.

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you're welcome

I did two potentially (probably orig. AmE as adjective) fun things recently: I was interviewed for a famous (in one country) radio (BrE) programme/(AmE) show and I (BrE) went to the pictures and saw The Imitation Game. Potentially fun, and mostly fun, but not without worry and embarrassment.

Let's start with the (orig. AmE) radio. I've done a few such things, and in the past I have prepared. I asked producers 'is there anything you can predict I'll be asked?' and I made notes of things I thought would come up. Then the interviewer never wants to talk about what the producer said they would want to talk about, and I think "Why did I bother to prepare?"

This time, it was all very mysterious. The producer contacted me, and I only knew which broadcaster he worked for. He didn't tell me which show/programme it was for, nor who the interviewer was, just that it was going to be about the flow of words between US and UK. The mystery may have had something to do with the fact that the segment was being prepared as a surprise for another radio (BrE) presenter. But I just went with the mystery. I asked no questions other than where and when to show up and I did no preparation because it's so often wasted.

What I should have done, what I should always do, was to make a list of common topics on the blog (the Words of the Year, the things that have got the most comments, etc.) so that it would be available to inspire me. This is what I did not do. I just showed up at the BBC Sussex studios, put on my headphones, and talked (more AmE) with/(AmE & BrE) to someone in another city.

And the first thing the interviewer said was "Quick! List Americanisms that have become common in British English!"  Dear Reader, I could have said movies, I could have said train station, I could have said Can I get a.... I could have said many, many, many things. But I choked. I said various things that have been in BrE so long that no one alive reali{s/z}es they're American, like belittle. I said awesome repeatedly. And then I said you're welcome, when used as a response to thank you. The interviewer was taken with that one.

Fast-forward a few days and I'm watching The Imitation Game, being slightly bothered by words and phrases coming out of characters' mouths that I don't think would have come out of wartime British mouths. But then Alan Turing/Benedict Cumberbatch says You're welcome in response to thank you, and I think: I lied on the radio.

Then I looked for my (more BrE in this use) bag, to get out a pen to write myself a note to look it up later. Then I couldn't find my bag under the seat. Then I spent the rest of the (more BrE than AmE) film wondering if I'd left my bag in the café (AmE) restroom/(BrE) toilet. Which is to say, I have no idea who won the war because my mind was elsewhere for the rest of the (orig. AmE) running time.

Is you're welcome an Americanism? 

One thing I can say for sure is that it's a recent-ism. (I'm talking only here about the response-to-thanks usage, which is different from its use in other contexts: welcomings, offers and invitations, e.g. you're welcome to join us.) The OED's first example of it as a response to thank you comes from 1907, then not another till 1960. All of these are British, but the OED can't always be trusted on this matter because it is based in the UK and historically got most of its materials from the UK. This is mostly a spoken phrase, so it could have had a nice life somewhere else before anyone at the OED noticed it.

Looking at the Corpus of Historical American English, the first you're welcome as response to thank you is from a 1909 story by Myrtle Reed:
"...Come, let's be friends. " He offered his hand. She put hers into it for a moment, then quickly took it away. He noted that it was very cold. " I must be going, " she said, keeping her self-control with difficulty, " Aunt Francesca will miss me. " " Thank you for coming -- and for bringing the violin. " " You 're welcome . Good-bye. " " Good-bye, Silver Girl. I hope you'll be happy. "
We're stuck with fictional uses because people weren't going around recording actual conversation quite yet, but certainly the 1907 British and 1909 American fictional uses must be reflecting something that was already going on in the spoken language. What's weird is that there's no particular evidence here of one place being first. At that point in our history, after independence but before wars and mass media brought us together, you'd think that linguistic innovations would be locatable in one place or the other. So here's a hypothesis: maybe the Irish started it and we were all following their cue.

Why did I think it was American, despite this lack of evidence?

(A) because I knew it was recent.
(B) because someone might've proposed it to me as an Americanism at some point, and I was recalling that.
(C) because you hear it more in AmE than BrE.

Reading around a bit on the topic now, I'm interested to see that several researchers (all cited in Schneider 2005) have found that English speakers are less likely to give a verbal response to thanks than speakers of other European languages and that British English speakers are the least likely of all to verbally respond to thanks with a 'minimizer' like no problem, my pleasure, or you're welcome. Perhaps this has something to do with the fact that in Britain thank you/thanks is often used for purposes other than thanking, or maybe it doesn't. (It depends on how the research was done--and I don't have access to all of it at the moment.)

Karen Aijmer's 1996 book Conversational Routines in English makes this point about English speakers not always responding to thanks, but has a footnote "But note the high frequency of you're welcome in American English" (p. 78). Edmondson and House (1981:167) proposed that you're welcome should be label(l)ed as 'formal' in British English, "but definitely not in American, where this token is much more common".

I may be on to something with the Irish suggestion. After all, there were a lot (millions) of Irish people in the US by 1900. Looking online for equivalents of you're welcome in Irish, I find tá fáilte romhat, which seems to literally mean 'you're welcome'. One commenter thinks that might be an anglicism. But maybe it's the other way (a)round: maybe you're welcome is an Irishism in English (to use the technical term, a calque, or loan translation). I don't have the means to check this, but maybe an Irish speaker among(st) you does?

Furthermore, in Schneider's study of present-day responses to thanks (using a discourse completion task), the Irish use a lot more welcome responses than the English do. Not as many as the Americans, but still:
(Schneider 2005: 115)
(And let's just pause to note that the most common English response was the Americanism okay.)

So, I'm not sure if you're welcome is an Americanism or if its use in the Great Britain today is the effect of Americani{s/z}ation. I'm not feeling too bad about my panic-saying of it to the interviewer because, well, it is a much more American thing to say than British thing to say. And maybe it'll be edited out anyway.  Please, let it be edited out anyway.

(I'll update this with news of the mysterious interview once it's been broadcast.)


References
  • Aijmer, Karen. 1996. Conversational routines in English: convention and creativity. London: Longman.
  • Edmondson, Willis, and Julianne House. 1981. Let's talk and talk about it: a pedagogic interactional grammar of English. Munich: Urban & Swarzenberg. 
  • Schneider, Klaus P. 2005. No problem, you're welcome, anytime: responding to thanks in Ireland, England and the USA.  In Anne Barron and Klaus P. Schneider (eds.), Pragmatics in Irish English. Berlin: DeGruyter Mouton.
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Nominate 2014 Words of the Year!

While being interviewed today (which I'll let you know more about at some point), I was asked what the front-runners are for UK-to-US and US-to-UK Words of the Year. And I had no idea.

So: what do you think? Nominations are open for both categories as of now:


1. Best AmE-to-BrE import
2. Best BrE-to-AmE import
The word doesn’t have to have been imported into the other dialect in 2014, but it should have come into its own in some way in the (popular culture of the) other dialect this year. I retain the editor's privilege of giving other random awards on a whim.

Please nominate your favo(u)rites and give arguments for their WotY-worthiness in the comments to this post. It might be helpful to see my reasoning on why past words were WotY-worthy and other nominations weren't. Click on the WotY tag at the bottom of this post in order to visit times gone by.

Vote early and often! I plan to announce the winners in the week before Christmas.


And in other news...
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The fourth 'Untranslatables' month summary

This was the fourth year that I declared October Untranslatables Month on my Twitter feed. (Here's 2011 , 2012, and 2013.) Instead of offering a 'Difference of the Day', I offered an 'Untranslatable of the Day' every weekday.  Last year, I swore that I wasn't going to do it again. In part I doubted that I could find another month's worth, but also in part, I was tired out from people arguing with me online about elements of the project. You can probably guess their complaints from the defensive bullet points that appear below. 

About my Untranslatables:
  • I'm only talking about the relationship between British and American English here (as is my theme). These expressions may well have equivalents in other languages or dialects.  
  • By Untranslatable I mean that there is no lexicali{z/s}ed equivalent in the other dialect. And by lexicali{z/s}ed I mean that the expression is a word or an idiom--something that language users learn through hearing others say it, rather than something that has been made up anew.
    One can translate things by making up new sentences or phrases that describe the same thing, sure. But it's special when a language has lexicali{z/s}ed an  expression for something--it tells us something about the culture that invented and uses that expression.
  • Many of these have started to be borrowed between the dialects--and that's natural. If it's a useful expression and the other dialect doesn't have it, it's a prime candidate for international migration.
  • If you have not heard of the word before (even though I've said it comes from your country), this is not cause for complaint. It is cause for celebration that you have this opportunity to enrich your vocabulary! 
That all said, I wasn't given much of a hard time this year. And I certainly was not subject to abusive rants, as happened for a while last year. (Phew.)

My rules for choosing the untranslatables are:
  • They can't repeat items from the previous Untranslatables Months.
  • It should be the expression that's missing from the other country, rather than the thing. So, for instance Page 3 Girl was suggested, but there is no American newspaper that puts topless young women on page three every day (thank goodness). There's no word for it in the US only because there's nothing for it to refer to in the US, so it doesn't belong in this particular list.
  • I try to alternate American and British expressions (but that doesn't always work out).

With the words below, I've given the content of the Untranslatable of the Day tweet, expanded and re-formatted from the necessary abbreviations of 140 characters. If I've discussed the expressions before on this blog, I provide links to those posts. I also include here the links I provided with the tweets and I try to give credit to those who suggested them as untranslatables. Here we go.

  • BrE snug: a small, comfy room in a pub. Occasionally  extended to other comfy personal (orig. ScotE) hidey-holes. Here's a Wikipedia description. [I learned this during the year while reading an article that I now can't find. I had to look the word up, and then spent the rest of the year waiting for untranslatables month to come round again.]
  • AmE to jaywalk: to cross the street/road against the light or where there's no crossing. Thanks to @SimonKoppel for the suggestion. As I noted in a later tweet, this word is known by many in the UK, but generally only used to refer to people doing it in the US. Some British twitterers objected that this couldn't count because the thing doesn't exist in the UK. They were under the impression that one cannot jaywalk in the UK because it's not illegal to cross in the middle of the (orig. AmE) block here.  But notice that there's nothing about legality in the definition I've given. I grew up in a place where (I was told, I've never actually checked) jaywalking wasn't illegal. But we still called it jaywalking. (Remember: laws--including many traffic laws--vary by state in the US.)
  • BrE Billy No-Mates: a friendless person. Here's a history of the phrase. (Can't find who suggested it, but thanks!) Several people sent variations on this like Johnny No-mates, Norma No-Mates and Norman No-Mates, but Billy seems to be the original (and the one I hear most--the others may be a bit more spread around the anglophone world).
  • AmE backwash: saliva/mouth contents that go back into a bottle that's been swigged from. (Urban Dictionary's take on it.) Several Brits told me they knew this from childhood, but it's still not (in my experience) widespread in the UK. Of course, the word-form is used in both dialects for other kinds of washing-back in rivers and plumbing.
  • BrE garden(ing) leave: Explained in this old post.  Thanks again to @SimonKoppel.
  • BrE to plump for: to choose suddenly after much dithering. Thanks for the suggestion to @rwmg.
  • AmE will call: [of tickets] to be collected at the box office. Wikipedia says COBO ('care of box office') is the BrE equivalent, but it's not in general use. In a US theat{er/re} you might have to go to the will-call desk/counter/box office to get the tickets. COBO isn't used like that. Yet another one suggested by @SimonKoppel. I might have to put him in charge of Untranslatables month next October.
  • BrE to decant: to transfer people temporarily to another location. See sense 1.1 in Oxford Dictionaries Online. Thanks to Diane Benjamin for this suggestion.
  • AmE to stop on a dime: to come to a halt quickly and neatly in exactly the right spot. Many complained that this has a BrE equivalent in stop on a sixpence. Fair enough. Though I will note that turn on a sixpence seems to be more common than stop on...
  • BrE three-line whip: Party instruction to Members of Parliament that they must vote with the party on some matter. (Here's more explanation from a Stack Exchange.) There is a question here whether it should count: is there an equivalent three-level structure of whips in the US? Well, there could be, so I gave it the benefit of the doubt. Thanks to @JanetNorCal for the suggestion.
  • AmE loaded for bear: well prepared (and probably eager) for a forthcoming confrontation. Thanks to @sethadelman for the suggestion.
  • BrE gazunder: [for a buyer] to reduce an agreed-upon price for a house/property just prior to signing contract.  Here's Word Spy on it.  
  • BrE gazump. To obtain a property by offering more for it than an already-accepted offer. Here's Oxford Dictionaries Online on it.
  • AmE layaway (= AusE lay-by). Instal(l)ment purchasing, where the item's not received until it's paid off. There was some discussion about whether this should count because it's unclear that the equivalent exists in the UK. British hire-purchase is the equivalent of AmE rent-to-own or rental-purchase, in which case you take the thing home and make payments on it. I allowed it because I think one could argue that certain Christmas schemes in the UK (like this one) are kind of like layaway. Thanks to @smylers2 for the suggestion.
  • BrE U and non-U: (Non)-upper class, with particular reference to words that "should" or "shouldn't" be used. Here's the Wikipedia article on it. And here are places where the distinction has been mentioned on this blog.
  • AmE charley horse. A cramp in the leg. Here is Merriam-Webster's definition. Thanks to @meringutan for the suggestion. There were some suggestions for British-dialectal equivalents of this. Hard to tell if they're really equivalent. You can discuss amongst yourselves in the comments.
  • BrE WAGs: wives and/or girlfriends of (BrE) footballers as a type of celebrity. Discussed on this blog here. Thanks to @meringutan.
  • AmE snow day: a day when schools and businesses are closed due to snow. (Longman definition). Sometimes heard in UK now, but no local lexical equivalent. Thanks for the suggestion, @laurelspeth.
  • BrE chav. This is a word for a stereotyped type of person. Here's Wikipedia's take on it. Suggested by @kearsycormier (thanks!). This one I was most uneasy about including, because I think it is the case of it being more the referent (in this case people rather than things) rather than the word that the US lacks. It's all about the UK social class system, which operates in different ways, with different emblems, than the US class system.  Many years ago I wrote about an attempt to import chav to the US. It hasn't worked.
  • AmE family-style: adjective or adverb describing the serving of food at restaurant in dishes that are to be passed (a)round and taken from, like at home. (Oxford's definition)
  • BrE scrumping: stealing apples from an orchard. Thanks to @beardynoise for the suggestion.
  • AmE palimony: (humorous) alimony-style payments made after the break-up of a non-marital relationship. 
  • BrE dodgy: with its many shades of meaning, it's hard to think of an exact equivalent: Here's Oxford Dictionaries Online on it. Once one learns this word, it soon becomes a necessary part of one's vocabulary, so it's not surprising that there are US sightings of it. Thanks to  @tonythorne007 for the suggestion.
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Descriptions in Twitter profiles


When Twitter tells me I have new followers, I can see their name and self-description before I can see their location (if they've given any). So I play a little game of 'guess which country they're from' before I click through to see it.  I seem to be good at picking out the Americans (or at least North Americans--the Canada/US distinction is hard to make here--sorry Canadians), based on the style of the name and self-description. To be fair, I'm probably guided by the photos too. (Pick out the Americans at the airport is another fun and not-too-difficult game. There, you can see the red maple leaf patches on all the Canadians' bags, which save them from the lumping-together.) But I'm a linguist, so I like to think it's the language I'm sensitive to.

(A postscript on 27 Oct 2014: In the comments, Dorothy Bishop reminds me of a post she did three years ago that was in the back of my head when I started this, but I failed to find it in my preliminary search. I didn't want to take the chance of you missing that if you don't read the comments. So, if you like this post, you'll love this one.)

Because I probably should have been doing something else, I decided to try to test 'what marks an American (versus British) Twitter profile'. Here's my method:
  • I worked backwards from recent followers using the 'Who Unfollowed Me' (Pro) list of followers whom I don't follow back. I used this because it does the opposite of Twitter: it shows me the location, and I have to click through for the description.
  • For each follower who (a) was a person, not a company, and (b) unambiguously listed their location as being in the US or UK, I recorded:
    • country: I only included people whose locations were unambiguous, so no London-Islamabad-Hong Kong multiple locations and no indications of internationality in the descriptor, such as An American in London
    • gender: by name/photo/description (female, male, unknown/other)
    • Twitter handle: does it reflect their name? Three possible values:
      • Yes/name: the handle is some version of their name or their name + numbers, e.g.  @lynne_murphy, @LynneM34, @Lynney, etc.
      • Mixed: part name/part descriptor, e.g. @LynneLinguist, @LynneEdits, @LordLynne, @CrankyLynne
      • Not name: e.g. @poltroonish, @LinguistYay, @subjunctiverobot
    • Number of self-descriptors: this is the tricky one. Basically, I counted nouns or verbs that constituted separate descriptions of the person, so:
      • Writer, teacher, blogger, linguist, parent, feminist, Scrabble player:  counts as 7.
      • Loves cooking, dreaming, whittling, singing: counts as 4.
      • Teacher of ESL, EFL and Intercultural Communication counts as 1--the main identity is 'teacher'.
      • Dreams are sometimes songs: counts as 0, since if it's label(l)ing the person, it's very indirect. 
      • An empty description also counts as 0, but I had a separate sub-category in which I distinguished the content-ful and content-less zero scores.
    •  Caveats: I also kept track of who said things like "RTs are not endorsements" or "All views are my own", but there were some in each nationality and not enough of these to warrant further analysis.
  • I did this for two notebook pages for each nationality, which totals 64 from each country. More would have been better, but I can only justify a certain amount of procrastination per day.

A big caveat here is that I'm only sampling my own followers, which is to say it's probably people with an interest in language or US/UK issues, possibly a bit older and educated than average.  So this might not be generali{s/z}able to US/UK Twitter users generally. The other caveat, of course, is that I'm equating location with culture. For all I know, half of the people who listed their location as 'London' are exchange students who aren't mentioning that they're from Iceland. But I'm working with what I've got, and we can only hope that the rate of 'false positives' in one country's data is matched in the other country's data.

All examples in this post are made up, mimicking profiles I read. I don't want people to feel like I'm giving any individuals a hard time. Or to [orig. AmE] out them to their friends and family as someone who follows me.  If it so happens that I've made up a handle or a profile that actually exists, that's accidental.

So this is what I found:

Gender
Overall the sample had more women than men, which is to be expected because 62% of Twitter users are female (according to one study).  (For this sample it's 56% female. The table below has raw numbers.) The gender breakdown was similar across nationalities, so whatever we see here is more likely to be a national effect rather than a gender effect.


gender
      F     M    O

US     37     26     1
UK     34     25     5
Total        71     51     6


Handle = name?
I was interested in the name versus pseudonym issue because, as we've seen before, Americans introduce themselves by name earlier in conversation than Brits do. So, I wondered, are the British more careful about giving out names on Twitter? The caveat for this result is that I have no way of knowing whether the handles people use are their real names. If someone's name was presented as 'Gemma Thornton-Baker' and her handle is @gemmatbkr, then the fact that the handle matched the name meant that I counted this as a name, rather than a pseudonym.  If their name was presented as 'Hunky Cloud' or their handle was @rottenweather, then I took it for granted that their name wasn't really Rotten Weather.

But after all this preamble, I'm not even going to bother to put together an HTML table of results because the numbers were exactly the same for US and UK.  So, hypothesis that Brits would be less apt to use their name as a handle was not supported.

Self-descriptions
On to the meat of what I wanted to look at. Remember, I'm not testing word-count of the self-descriptions, but the number of separate descriptions given--a single description may be one or ten words long. So, this isn't about how much one says, but how many different things one says. My hypothesis was that Americans list more different things, divulging more about themselves.

The result favo(u)red the hypothesis, in that Americans listed, on average, 3.58 descriptors and the British 2.78.  The range was exactly the same: 0 to 14 descriptors. The US median was 3 and the UK median was 2.

But although the numbers were in the right direction for the hypothesis, they are only significant at p=.100, which means, basically, that there's a 10% likelihood that the difference is down to chance. We'd probably have a better answer if I'd looked at more than 64 people per country. Which is why I'm going to point this out to our students who are currently looking for research projects to do...
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Henny Penny, Chicken Little, Chicken Licken

While writing the other day, I wondered whether it would be widely understood if I used Chicken Little as a metaphor for a certain kind of language peever. It felt right, but I also knew the name Henny Penny (of the main character in the story--see comments for variations), both from my American childhood and from my child's English childhood. Then I got an email informing me that my Survey Monkey subscription had been auto-renewed for the next month. Which is to say, I had failed to notice the note in my (BrE) diary/(AmE) planner on Tuesday that said "UNSUBSCRIBE FROM SURVEY MONKEY". At that point, I decided to get my money's worth from this unintended subscription, and so I devised something called the Famous Chicken Survey. Because I'd read another name, Chicken Licken, on Wikipedia, I threw that into the survey.

(Now I know, with a bit more research that Hen-Len is another name, found for instance in a UK-published version from 1849.  For that and more, see this site, which catalog[ue]s Aarne-Thompson-Uther type 20C folktales.)

156 people from the US (n=80) and UK (n=76) had answered by tonight (and small numbers from other places, not to be analy{s/z}ed here), and 146 of those answered the key question:

So there we have it, Chicken Licken (orange) is BrE, Chicken Little (blue) is AmE.  While there's some Chicken Little in the UK answers, that's only 9 people on that blue bar. They might have been affected by the Disney films by that name (1943 and 2005).

I thought that perhaps Henny Penny was old-fashioned, but it's found across the age groups. That one may just depend on which book you had in your house (or your preschool). I don't have a historical corpus for BrE at home (and I doubt I have a big enough one for this job), but the Corpus of Historical American English has 2 Henny Pennys between 1880 and 1909, and 26 Chicken Littles, so that's clearly not a very new name.

It would not be surprising to find that Chicken Little is a corruption of Chicken Licken, since all of the story's other names rhyme: Cocky-Locky, Goosey-Loosey, etc.  It also would not surprise me if the Little corruption and the alternative Henny Penny arose from a Victorian desire to avoid the association with licking. At least, that's what I'd want to avoid, since Chicken Licken sounds like a (BrE) dodgy (orig. AmE) fast-food joint to me. But that might be because it is a fast-food (orig. AmE) chain in South Africa, where I used to live. Not to mention that the Victorians wouldn't have heard of it.



The Wikipedia page for the South African Chicken Licken funnily enough refers to the Henny Penny Corporation (USA), which supplies equipment to chicken-frying businesses. I can see why these companies wouldn't want little in their names, but they're clearly not worried about associating their businesses with muddle-headed paranoia.

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twang

This is the kind of blog topic I love -- like the soup or bacon sandwich ones -- where I'm reporting on my slowly acquired reali{s/z}ation that there are subtle UK/US differences in meanings of certain familiar words. The meanings are so similar that they often refer to the same things. What's different is where the cent{er/re} and periphery of the meaning are. Because these differences are hard to tease out, we may go through conversations not reali{s/z}ing that we're not quite communicating. Of course, it's loving these kinds of things that got me to be a lexical semanticist in the first place.

It all started with the World in Words podcast three years ago, in which I was Patrick Cox's guest. Here's how he titled the segment:


Patrick had asked me about how my speech is received in England (I can't remember if this bit is actually in the podcast), and I'd remarked that it disconcerts me when it's said that I have a twang. To me, people from Kentucky have twangs. I have an accent (of course, we all do), but it's not anything I'd describe as twangy. My accent is (among other things) mumbly. I don't see 'mumbly' and 'twangy' as going together.  (Regarding mumbly: I liked Ben Yagoda's post this week about new -y adjectives.) I expect a twangy accent to sound like a country (AmE jocular) gee-tar.

Patrick went along with my puzzlement at being called 'twangy' in his blog post, but the twangs kept coming my way, and I kept hearing twang applied to accents that I don't consider to be 'twangy'. The final straw came (on) Thursday when the Guardian referred to Peter Capaldi's accent as a 'Scottish twang'. I thought: what in the world does twang mean if it applies to Peter Capaldi?  (If you're reading this aloud, note that in my accent 'Peter Capaldi' comes out as Peter Capaldi Swoooon.)

Some discussion on Twitter started to lift the scales from my eyes, and a little on-line survey I've done has confirmed: BrE has a meaning for twang that's not found in AmE, nor in its own dictionaries (e.g. Oxford, Collins).  Have/take a look:




Both AmE and BrE have the sense 'a strongly nasal quality in a person's speech, esp in certain dialects' (as Collins puts it). That is reflected in the light green bar in the chart.  The orange 'neither of the above' bar may be populated by people who didn't like that I didn't say 'nasal' or something similarly specific in my definitions. The teal bar represents 'has a hint of an accent', and that is much more strongly BrE than AmE--just edging out the (presumably) older meaning. Similar numbers of Americans (107) and British (103) are represented in the results.

The 'hint of an accent' meaning explains the cases where people say that I or Peter Capaldi have a twang--we're not speaking with the full force of the accents associated with our regions. I think this use is probably found in Ireland too, or else I can't explain this sentence about the X-Men character Magneto, as played by Sir Ian McKellen (who once had a sip of my Coke when we were marching in the Johannesburg Pride parade; oh, and I like to [orig. AmE] name-drop):

At least he does sound German when he speaks German, but you'd think that he might have had a slight German twang when he was speaking English, what with him being RAISED BY NAZIS AND ALL. (from GloBWE)

German? Twang? This does not compute, given the meaning of twang that I use, but it works fine if what you mean by twang is not 'having a certain kind of accent' but 'having a bit of an accent of some kind'. One of the British respondents described it as "the hint of a weird or unusual accent that jars with the listener's expectations". 

I also asked which accents people think are twangy, but since I didn't do that with a multiple-choice question, I can't give you a nice chart. When talking about other countries, the British mostly said the US (especially south and midwest). Some said Australia. When asked about twangs in their own country, the West Country was mentioned most often.

People from the US strongly associated it with the US South (from Appalachia to Texas) and often said they would not use the word of non-American accents.

Lots of people from both countries mentioned banjos. 

I know people from other countries would like to a breakdown of results from those, but there weren't very big numbers from any other country. Still, 11 out of 14 Canadians preferred the 'definite regional accent' meaning, as did 10 of 11 Australians. So, the 'hint of accent' looks particularly British.

And this makes a lot of sense. British people are generally highly sensitive to and about accents. As famously written by G. B. Shaw, “It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him”. Britain's diversity of accents in its small geographic space means that the accents can communicate a lot about geographical, educational and social status--reflecting and contributing to the famous British class system. Since many British people (including one I live with) form immediate and lasting  impressions of others based on their accents, it's not surprising that they're interested in not just "accents", but hints of accents.

I can't go without saying a little something about nasal. Nasal is a word that people apply to all kinds of accents, even those that are anything but nasal from a physiological perspective. Allan Metcalf has discussed this on the Lingua Franca blog, which he closes with "And don't get me started about twang..."

Many thanks to all 252 of you who so kindly responded to the survey. I was particularly touched that some used the comments space to write nice things about this blog or my Twitter feed. I feel like the luckiest linguist on the internet.
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shallot

Typically, as we've discussed before, two-syllable words from French are stressed on their first syllable in BrE and on the second in AmE -- BALlet versus balLET, BAton versus baTON, etc. (Please see and comment on the linked post if that's the issue you're interested in.)

photo from: http://www.realseeds.co.uk/onions.html


This led me to wonder about shallot because it looks like a French borrowing (so many food words are), but the stress pattern is makes it look like it isn't:  BrE shalLOT versus AmE SHALlot or shalLOT. (You can hear them both in an American accent here.)  American dictionaries tend to list the second-syllable stress version first--apparently considering that as most "correct". But I've always said SHALlot and can't recall hearing an American say shalLOT. For example, here's video of an American editor at a cooking magazine saying it the way I say it. (American and British vowel qualities in the word differ in predictable ways: we are firmly divided by the 'lot' vowel--or vowels, taking into account the variety found. Here I'm just going to focus on the stress pattern.)

So why doesn't it follow the two-syllable French-borrowing pattern? Probably because it's not a two-syllable French word. The French eschalotte has lost its first vowel in its journey into contemporary English.

Eschalotte was borrowed into English with the e at the beginning (at least in writing), though it lost the one at the end. The OED has citations for eschalot(t) in English from 1707 into the 19th century. But was that first e ever pronounced? One of the OED's citations is from Johnson's dictionary:

1755   Johnson Dict. Eng. Lang.,   Eschalot. Pronounced shallot.
The citations for shal(l)ot go earlier than those for the more French-looking version--back to 1664, making it look even more like that first e has been ignored from the (AmE) get-go.

Nevertheless, English seems to have some kind of sense-memory that we shouldn't treat it like ballet or beret or other French two-syllable words, because it isn't one. Nevertheless I see it and my reptilian high-school brain wants me to say 'shalLO' because that -ot reminds me of things like escargot and Margot.

The OED gets a bit judg(e)mental about the spelling:
The spelling shallot, though inferior to shalot because it suggests a wrong pronunciation, is now the more common.
Now, if they want me to come down hard on the 'lot' (as I know they do), I don't really understand that comment. Perhaps they mean that people might say SHALL-ot because they see shall in it. Well, that is what Americans do, but I can't imagine that we'd pronounce it like the dictionaries (and the British) tell us to if it had only one 'l'. I see shalot and I want to say it like chalet with an o.

If you're an American who says shalLOT, let us know--and please tell us where you got it from (i.e. what part of the country you learn{ed/t} the word in, or whether you've been influenced by BrE).

Meanwhile, I'm taking comfort in the fact that eschalotte shares history with (mostly AmE) scallion, since when I want a shallot I usually have to take a few moments to remember that scallion isn't the word for it.


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herb

When I started this blog, I wrote short little posts about things I noticed in British and American English. Few read them, and I usually managed to write three a week.  Since then, many more readers and commenters have appeared ([AmE] howdy! thank you!). As I imagine this larger audience responding to posts about X with "But what about Y?", I try to fit the Ys in.  Sometimes the Ys are other expressions that I could discuss; sometimes they are beliefs about language that may or may not have basis in reality. As a result, my posts have got(ten) much longer and less frequent. (The latter is also due to parenthood and more responsibility at work. But [BrE] hey-ho.) I now look back on old posts and think: I can do better! So I'm going to have [more BrE than AmE] another go at the pronunciation of herb, which I first dedicated six sentences to in the second month of this blog.

I've more sentences about it because I (BrE) go about/(AmE) go around discussing it in my talk: "How America Saved the English Language". It's one of a long list of differences for which the folklore is faulty, with people like comedian David Mitchell (below) assuming and repeating that Americans don't pronounce the 'h' in herb because we think we (or the word) are French. (The implication here is that the British are not under the illusion that they are French. Except of course that they eat aubergine rather than eggplant and increasingly use -ise instead of -ize and spell centre with the letters in a very French order. And so on. And so forth.)




Mitchell went to Cambridge University, apparently (according to his Wikipedia bio) because he was rejected by Oxford. I can only assume this has caused him some sort of allergy to the Oxford English Dictionary and that this caused him not to research the claims he made here about herb as well as tidbit/titbit. Had he just looked it up, he would have found the following information.

From the Middle Ages, the word in English was generally spelled (or spelt, if you prefer) erbe, from the Old French erbe—but sometimes it was spelled with an h, after the Latin herba. From the late 15th century the h was regularly included in the spelling in English, but it continued not to be pronounced for nearly 400 years. This was not a problem for English, of course. We often don't pronounce written h, for example in hour and honest and heir, and our ancestors didn't pronounce it in humo(u)r, hospital, or hotel. Change and confusion about these things leads to the oddity of some people insisting that some (but not other) words that start with a pronounced h should nevertheless be preceded by an, not a, as if the h weren't pronounced. (AmE) To each his/her own/(BrE) each to his/her own...

The h in herb finally started being pronounced in the 19th century in Britain. By this time, the US was independent and American English was following a separate path from its British cousin. Why did the English start pronouncing it then? Because that's when h-dropping was becoming a real marker of social class in England. If you wanted to be seen as literate (or at least not Cockney) you had to make sure that people knew you lived in a house, not an 'ouse. This 1855 cartoon from Punch (reproduced as a postcard for the British Library's Evolving English exhibition) illustrates:






The result seems to have been more self-consciousness about pronouncing h where it was in the spelling, and some h's got louder where they had not previously been heard. Why did this happen to herb and hotel but not honest or heir? I don't know.

So, pronouncing herb without the h is the Queen's English, if we're talking Elizabeth I, rather than Elizabeth II.

And in case you were wondering:  Americans pronounce the h in the name Herb, which has a different history from the plant herb.
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Abbr.

AmE = American English
BrE = British English
OED = Oxford English Dictionary (online)